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Cultural Hybridity #2

1st chapter:

  • “The current fascination with cultural hybridity masks an elusive paradox.” ­(no page numbers)

  • “Hybridity is here a theoretical metaconstruction of social order”

  • Questions the authenticity of culture and its boundaries, connects cultural objects and ethnicity.

  • “what are the discourses stressing cultural boundaries?”

  • Assumptions about social order

  • Hybrid cultures are ‘monstrosities’ that challenge local cultural order.

  • “Rather than being open and subject to fusion, identities seem to resist hybridisation.”

  • “cultural hybridity manages to be both transgressive and normal, and why it is experienced as dangerous, difficult or revitalising despite its quotidian normalcy.”

  • “It also creates a bridge to earlier modernist approaches, I believe, and thus enables us to draw on the insights developed by these approaches in our attempt to explain why, on a culturally hybrid globe, cultural hybridity is still experienced as as empowering, dangerous or transformative force.”

  • Surely its because the individualisms of the minority culture get lost in the process of hybridity and that is why it is feared – for losing a single aspect of a culture can alter it completely.

  • “Organic, unconscious hybridity is a feature of the historical evolution of all languages”

  • “Intentional hybrids create an ironic double consciousness, a ‘collision between differing points of views on the world’”.

  • “Such aesthetic interventions are thus critically different from the routine cultural borrowings and appropriations by national and ethnic or migrant groups which unconsciously create the grounds for future social change.”

  • “Cosmopolitans (…) are multilingual gourmet tasters who travel among global cultures, savouring cultural differences as they flit with consummate ease between social worlds.”

  • “Transnationals are people who move, often in great swarms, in order to create collective ‘homes’ around them wherever they happen to land.”

  • “muliticultralism signals the decline of modernism”

  • “All cultures are hybrid (…). To speak of cultural ‘mixing’ makes sense only from inside a social world. Hybridity is meaningless as a description of ‘culture’ because it ‘museumises’ culture as a ‘thing’.”

  • “The further step is to argue that there are no clear differences between racism and ethnicity, between essentialising discourses of otherness and multicultural identities.”

  • “Ironically, hybridity-talk is itself in danger of becoming just such another marketable commodity.”

  • “But, as we have argued here, there are problems with this celebration of hybridity by post-colonial intellectuals, as well as with the conception of ‘the migrant’ as the exemplary embodiment of this double consciousness.”

  • “we need to consider precisely what it is that cultural hybridity and essentialism from the margins do in this context.”

  • “It is this interest in the boundary that makes the experience of hybridity disturbing and shocking for some, while for others it is revelatory.”

  • “This complexity of process renders multiculturalism an important rhetoric and an impossible practice.”

Chapter 4: Identity and difference in a globalised world (Alberto Melucci)

  • “The production and reappropration of meaning seem to lie at the core of contemporary conflicts”

Chapter 5: Global crises, the struggle for cultural identity and intellectual porkbarrelling: cosmopolitans versus locals, ethnics and nationals in an era of De-hegemonisation. (Jonathon Friedman)

  • “The indigenous refers to the original, the aboriginal inhabitants of a nation-state that is historically and, in a sense, wrongly identified with another population, the product of a later invasion or colonisation.”

  • Identification by ethnicity

  • “In today’s world, this is related to discussions of cultural globalisation in which cultural flows are seen to meet one another and form new combinations, hybrids, which are assumed to be a real historical product of the increasing general globalisation of the world.”

  • Cosmopolitan – above any culture in the world

  • “hybridity, a claim to humanity so fused in its cultural characteristics that no ‘ethnic absolutism’ is impossible.”

  • Hybrid culture and cosmopolitism is hugely linked to modernism

  • “Strong cultural identities are the source of cultural creativity, and that nothing is wrong with this as long as it does not lead to racism.”

  • “if cultures exchanged all their elements with another on a continuous basis, there would no longer be any differences, and thus no mutual attraction.”

  • “coherence, wholeness and authenticity are relegated to the past, both colonial and, even more so, pre-colonial.”

  • “The modern world is a cultural mess.”

https://books.google.co.nz/books?hl=en&lr=&id=nxFkDgAAQBAJ&oi=fnd&pg=PT11&dq=cultral+hybridity&ots=NKO49y2S7r&sig=FL9CYIZ_UWpFAxZA3onQCA4gzqw#v=onepage&q=cultral%20hybridity&f=true

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